Not Just Samples — Synth Voices
Any pad can switch from a sample to a full subtractive synth voice: three morphing oscillators, two SSM2044 ladder filters, and a 16-slot modulation matrix — running through the same 12-bit engine as the rest of the kit.
Sample or Oscillator
Every pad has a voice type. Leave it on Sample to play audio as usual, or flip it to Osc in the inline sample editor to turn that pad into a synth. Synth voices share the pad's pitch, ADSR, pan, and drive — and respond to the sequencer, MIDI, and the on-screen keyboard exactly like samples do.
Two synth modes share the Osc voice type. A simple per-pad oscillator gives you one classic shape for tonal one-shots and bass, while the full keygroup synth opens the complete Moog-style engine below.
Oscillators
Three oscillators feed the filters. The waveform isn't a stepped switch — it's a continuous morph that crossfades between sine, triangle, saw, and square. Snap buttons jump to the exact anchors, or land anywhere in between.
Mix any combination of the three oscillators
Continuous morph across sine, triangle, saw, square
Coarse tune per oscillator
Fine tune per oscillator for fatness and beating
Per-oscillator mixer level
Aliased + 12-bit grit, or PolyBLEP anti-aliased
Dual Ladder Filters
Two SSM2044-style ladder filters — the same circuit family the sampler uses — run in series or in parallel. A shared filter envelope sweeps both cutoffs.
Modulation
Beyond the amp and filter envelopes, the synth carries a full modulation section: three LFOs, two assignable envelopes, and a 16-slot matrix that wires any source to any destination.
0.05–20 Hz · sine, triangle, square, S&H, saw · retrig + uni/bipolar
Extra ADSR envelopes free to route anywhere in the matrix
Each slot routes one source to one destination with a bipolar amount (−1 to +1).
LFO 1–3 · amp envelope · filter envelope · mod envelope 1–2 · velocity · key track · random · mod wheel · aftertouch · pitch bend
pitch (all or per-osc) · osc level · osc waveform · detune · filter 1/2 cutoff & resonance · amp · pan · LFO 1–3 rate
Amp & Voices
A dedicated amplitude envelope shapes each note, and the keygroup sets its own polyphony independent of the global 8-voice engine.
Factory Presets
A starter bank of factory patches loads straight into a keygroup — organized by category in the preset selector, ready to play or to use as a starting point.
Tight subs and aggressive, resonant basses
Cutting leads, plus an expressive matrix-driven patch
Lush, slow-moving textures
Bowed and ensemble-style string voices
In Vintage mode the oscillators are naive (non-band-limited) and quantized to 12 bits — the aliasing and grit are the point, the same character the audio engine gives samples. Switch to Clean for PolyBLEP anti-aliased oscillators when you want pristine pads and leads instead.